Showing posts with label OCEANS. Show all posts
Showing posts with label OCEANS. Show all posts

OLD NEWS THAT MIGHT BE NEW TO YOU: SCIENTIST DISCOVER BODY OF WATER TRAPPED IN ROCK THE SIZE OF ARCTIC OCEAN (2007) ...



Huge 'Ocean' Discovered Inside Earth
Ker Than
Date: 28 February 2007 Time: 08:28 AM ET


Scientists probing the Earth's interior have found a large reservoir of water equal to the volume of the Arctic Ocean beneath eastern Asia


The left figure is a slice through the Earth, taken from the figure on the right, showing the attenuation anomalies within the mantle at a depth of roughly 620 miles. 


In both images, red shows unusually soft and weak rock believed to be saturated with water, and the blue shows unusually stiff rock (yellow and white show near-average values).
CREDIT: Eric Chou



Scientists scanning the deep interior of Earth have found evidence of a vast water reservoir beneath eastern Asia that is at least the volume of the Arctic Ocean.

The discovery marks the first time such a large body of water has found in the planet’s deep mantle.

The finding, made by Michael Wysession, a seismologist at Washington University in St. Louis, and his former graduate student Jesse Lawrence, now at the University of California, San Diego, will be detailed in a forthcoming monograph to be published by the American Geophysical Union.


Looking down deep


The pair analyzed more than 600,000 seismograms—records of waves generated by earthquakes traveling through the Earth—collected from instruments scattered around the planet.

They noticed a region beneath Asia where seismic waves appeared to dampen, or “attenuate,” and also slow down slightly. “Water slows the speed of waves a little,” Wysession explained. “Lots of damping and a little slowing match the predictions for water very well.”


101 Amazing
Earth Facts


Previous predictions calculated that if a cold slab of the ocean floor were to sink thousands of miles into the Earth’s mantle, the hot temperatures would cause water stored inside the rock to evaporate out.

“That is exactly what we show here,” Wysession said. “Water inside the rock goes down with the sinking slab and it’s quite cold, but it heats up the deeper it goes, and the rock eventually becomes unstable and loses its water.”

The water then rises up into the overlying region, which becomes saturated with water [image]. 


“It would still look like solid rock to you,” Wysession told LiveScience. “You would have to put it in the lab to find the water in it.”

Although they appear solid, the composition of some ocean floor rocks is up to 15 percent water. “The water molecules are actually stuck in the mineral structure of the rock,” Wysession explained. “As you heat this up, it eventually dehydrates. It’s like taking clay and firing it to get all the water out.”

The researchers estimate that up to 0.1 percent of the rock sinking down into the Earth’s mantle in that part of the world is water, which works out to about an Arctic Ocean’s worth of water.

“That’s a real back of the envelope type calculation,” Wysession said. “That’s the best that we can do at this point.”

The Beijing anomaly

Wysession has dubbed the new underground feature the “Beijing anomaly,” because seismic wave attenuation was found to be highest beneath the Chinese capital city. Wysession first used the moniker during a presentation of his work at the University of Beijing.

“They thought it was very, very interesting,” Wysession said. “China is under greater  seismic risk than just about any country in the world, so they are very interested in seismology.”

Water covers 70 percent of Earth’s surface and one of its many functions is to act like a lubricant for the movement of continental plates.

“Look at our sister planet, Venus,” Wysession said. “It is very hot and dry inside Venus, and Venus has no plate tectonics. All the water probably boiled off, and without water, there are no plates. The system is locked up, like a rusty Tin Man with no oil.”





Top 10 Ways to Destroy Earth


What's Down There



                                                                 The Earth’s radius is about 4,000 miles (6,400 kilometers). The main layers of its interior are in descending order: crust, mantle and core.



The crust thickness averages about 18 miles (30 kilometers) under the continents, but is only about 3 miles (5 kilometers) under the oceans. It is light and brittle and can break. In fact it's fractured into more than a dozen major plates and several minor ones. It is where most earthquakes originate.

The mantle is more flexible – it flows instead of fractures. It extends down to about 1,800 miles (2,900 kilometers) below the surface.

The core consists of a solid inner core and a fluid outer core. The fluid contains iron, which, as it moves, generates the Earth’s magnetic field. The crust and upper mantle form the lithosphere, which is broken up into several plates that float on top of the hot molten mantle below.

SOURCE: LiveScience reporting
http://www.livescience.com/1312-huge-ocean-discovered-earth.html


THE "GREAT PACIFIC GARBAGE PATCH"...IS NOW THE SIZE OF TEXAS !!!!...

THE OCEAN'S GARBAGE PATCHES...ARE A SHOCKING TESTIMONY...TO MANKIND'S INDIFFERENCE...







 By guest bloggers Pam Longobardi and Wayne Sentman

Pam Longobardi,”Consumption Driftweb,” in OCEANOMANIA at Nouveau Musée National de Monaco, 2011


Art can be premonitory; it can be seen as a red flag or a warning as sensitive artists notice and respond to change and impactful events. More and more artists around the world are responding to the degradation of our ocean systems by human-made plastic pollution. Art created from this material is increasingly being used as a mechanism of environmental education, helping to create an emotional connection to the problem among the viewing public, utilizing marine debris as a material to create awareness among multiple communities. Creative artists now play a role in both interpreting this environmental challenge to the public and helping to inspire creative solutions to what at times seems like an unsolvable problem. Public art installations can help create a new public consciousnessthat promotes pro-environmental attitudes and behaviors.





Laysan albatross carcass with ingested plastic debris. Photo courtesy of C. Fackler, NOAA ONMS.


On Midway Atoll, a remote National Wildlife Refuge in the North Pacific, Wayne has witnessed the effects of plastic marine pollution firsthand for many years. Albatross chicks’ decaying carcasses have filled viewers with a sense of “culpable ignorance.” Seeing these decayed bodies laden with plastic where their stomachs would be reminds us that we are connected to the natural world. That plastic toothbrush that we threw out, those bottle caps that we walk past on the street, and the multitude of plastic that we have not recycled ends up where we least expect it. Over the years artists have been the messengers of the “un-natural” history of this problem so easily viewed in the field at Midway. The albatross at Midway are a harbinger of the amount of plastic in the ocean since they happen to feed along one of the largest concentrations of marine debris in the North Pacific. U.S. Fish and Wildlife Service researchers have estimated that each year at least 5 tons of plastic marine debris is brought to (landfilled at) Midway Atoll by albatross regurgitating to their young. Recent studies indicate that marine plastic pollution is also ending up in fish from these same areas and is now integrated into the marine food chain.


Additionally, artists are starting to work collaboratively with scientists and activists to create a synergistic, multi-disciplinary approach to raising public awareness and defining positive actions that can be undertaken to address the issue. The United Nations Environmental Program and NOAA co-sponsored the 5th International Marine Debris Conference in Honolulu, Hawaii, and the conference was a model of this type of relationship. The unique thing about this conference was the enormous presence of art at what was basically a scientific conference. UNEP and NOAA invited us to put together the art program, and we were able to raise enough funds to hold a professional fine art exhibition within the conference. Pam also put together a digital stream of nearly 40 other artists from around the world working with this issue. The overwhelming response by artists all over the world to my call for artwork was in itself a wonderful and heartening experience. The conference brought together the plastics industry, scientists, artists, and activists like Surfrider Foundation and Plastics Pollution Coalition – people from all over the world (440 people from 36 countries). Many of these stakeholders are on opposite sides of the issue, but the conference managed to provide a forum that brought everyone to the table. What resulted was the Honolulu Commitment, which we see as the “Kyoto Protocol of plastic.” The artist/activist contingent worked very hard to get specific language about micro-plastics, endocrine disruptors, and heavy metal contamination into the document that all parties agreed to. It felt momentous.


Pam is also working on a project with the Alaska SeaLife Center and the Anchorage Museum to send an expedition of artists and scientists to the remote stretch of the Aleutian Islands off Alaska that form the northern rim of the North Pacific Gyre. We had our first planning meeting of all the partners in June and filmed a promotional video that involved a beach landing in Resurrection Bay, with Carl Safina and Pam surveying what was found there. This project is very large scale and still over a year away from being initiated, but Pam and Howard Ferren, Director of Conservation at the Alaska SeaLife Center, have already been working on it for over a year and it continues to evolve and take shape.






Few people are able to visit remote places such as Midway Atoll or the Aleutian Islands. Art can serve as the bridge to these wildlife populations and the environmental issues that could only otherwise be appreciated through firsthand field experience. When professional artists from around the globe begin to explore the topic of marine debris the public is made aware that this problem is not simply limited to a remote island group, but is global in scale and therefore we all are connected to, and part of, the problem. Once a viewer appreciates this connection, discovered through viewing art, they may become engaged with the marine environment and more invested in finding solutions to reducing marine pollution sources.






Art is a powerful way to increase public participation and awareness of the problems of marine debris by showcasing it in an educational yet judgment-neutral manner across a diverse stakeholder base. When students and community members view and interact with items of collected marine debris in large-scale works of art, the intimacy with the items will facilitate an understanding of individual connectedness to this problem. Art can showcase the problem, helping individuals to become motivated to contribute to solutions without assigning blame to other segments of the community.






~Pam Longobardi and Wayne Sentman, July 2011






About our guest bloggers:


                                                                                                                                                                                             “The first time I came face to face with enormous piles of plastic debris on South Point of the Big Island in 2006, I was amazed at the beautiful colors against the black lava beach, because that’s what plastic does, it charms and seduces us. Then I got closer and I could see what it all was, it was all our JUNK, and it just hit me like a thunderbolt. There was even a toilet seat among the piles, and it was such a sick sad metaphor for how we treat the earth. It changed me right then and there, and I began gathering it up and cleaning beaches, to drag it back and show it, to put it in front of people so we can see what the material legacy of the human race has become. This was the start of the Drifters Project.










As an artist, I have always dealt with trying to understand the psychological relationship between humans and nature. We are in a kind of dualistic isolation from it, at once an integral part of it of it and yet somehow outside of it. I am interested in the idea of the positioning of the ego in an attempt to locate the self amidst the incomprehensibility of the external natural world at large. Culture functions as a way to try to navigate or map this territory.” ~Pam Longobardi


                                                                                                                                                                                                                                   After many years working in remote field locations around the globe, where I witnessed the impacts on wildlife related to marine pollution, I have become very interested in the value of art as a way to interpret “hidden” environmental issues to the public. Art has the power to facilitate an understanding of an individual’s connectedness to this problem. ~Wayne Sentman


Posted July 26, 2011 by marinedebrisblog in marine debris, marine litter, guest, 5IMDC, Prevention, Hawaii, Education


Tagged with marine debris, education, art, sculpture, art education
Talkin’ Trash with Our Nation’s Educators Leave a comment


Diving with Dragons


City Fish and Country Fish


Ultimate Squid Dissection


Small Fry to Go: Growing a new generation of citizen scientists


Ghostbusting in the Chesapeake


You know you’re going to a conference of educators when you see presentation names like these! These were only a handful of over 200 educational presentations at this year’s National Marine Educators Association (NMEA) conference. This year’s conference was held June 29-July 3 on the gorgeous campus of Northeastern University in Boston.





Program cover for NMEA conference.


So much to learn, so little time! Educators from all across the U.S. and even a handful from countries such as Australia and Japan were in attendance, each bringing knowledge and experience in outreach and education. My week was spent trying to download and absorb as much information as I could, coupled with networking with as many people as possible. The wealth of educational programs, resources, tools, and materials out there is staggering and utterly impressive. You could find everything from a toolkit to help you teach about plankton to information on how to use GPS drifters for hands-on oceanography.


Of course, you could also learn about the incredibly fascinating subject of “Plastics and the Patches: Information and Resources on Marine Debris.” My presentation was on the very last day of the conference and right before lunch. I had to wonder how many folks would actually show up. You see, I was one of ten presenters all slated for the same time slot and thus participants had to choose carefully as they could only go and see one of the ten. I must say that I was pleasantly surprised with a completely full room!





Map of the North Pacific Ocean showing location of major currents and "garbage patches." Credit: NOAA Marine Debris Program


We have all seen stories in the media about plastic marine debris and areas of our oceans known as the “garbage patches” (areas of the ocean where marine debris tends to concentrate). The myriad of information, sometimes contradictory, has left the public confused. Why haven’t I seen a photo of a patch? Do plastics truly degrade? In an attempt to arm educators with the sound science and the resources and materials to help make their work easier, my presentation provided up-to-date science-based information to help demystify and clarify what is known about plastic marine debris and the patches. I was blown away by not only the level of interest, enthusiasm, and passion for the topic of marine debris, but also the desire for good, solid, science-based information.


The week flew by and before I knew it, I was headed home. I left with my luggage much heavier than when I arrived, my notebook bursting at the seams with new information, my business card holder overflowing with new contacts. The educators’ passion fueled my passion and renewed my hope and belief that there will be an end to this worldwide problem. To all the educators – thank you and keep rockin’! ~Carey





Boston at sunset. Credit: NOAA Marine Debris Program


Posted July 12, 2011 by marinedebrisblog in Carey, conference, garbage patch, marine debris, marine litter, nationwide, NOAA, NOAA Marine Debris Program, ocean plastics, Outreach, plastics, Prevention


Tagged with Conference, education, marine debris, National Marine Educators Association, outreach

THE MANY IMPORTANT ROLES THE OCEANS PLAY IN KEEPING MANKIND ALIVE...TIME TO ESTABLISH A GLOBAL "NATIONAL PARKS" SYSTEM...


Making an ocean of difference: restoring life to the seas

Overfishing and pollution have led to the rapid decline of one of our greatest resources. But there are solutions at hand




The ocean is a magical place and the prospect of its demise is a daunting one. Photograph: Reuters


My first perception of the ocean was magical. I was about 12 years old when my grandfather took us on holiday to Golfo Nuevo in the Valdes Peninsula, in Argentine Patagonia. 


We went on a boat trip with a guide, and I will be marked forever by what I saw: a southern right whale giving birth there and then. It was mesmerising. Since then, I have always loved the ocean, and been inspired by it (I even named my last business after one of its most colourful inhabitants).



Fabien Cousteau, grandson of the diver and marine explorer Jacques Cousteau, tells me that he fell in love with the ocean at a similar age. He remembers diving near his grandfather's house in Toulon and seeing a Mediterranean Sea full of marine life.


 According to Cousteau: "If a 12-year-old now had the same experience, in the same place, what he would see is a very different picture", explaining that "today most of the Mediterranean's sea life has been seriously depleted."




The prospect of an ocean in demise is a daunting one, to say the least. Not only are the seas a major source of food for us, but there are also many other ways in which humankind relies on the ocean: it produces more than half the oxygen we breathe, protects from coastal erosion, and sequesters carbon.



The cause of the ocean's decline seems to be that we treat it in equal measure as an endless resource and as a rubbish pit. 


Each year some 70 to 75 million tonnes of fish are caught in the ocean, of which 29 million tonnes is for human consumption. 


This overfishing has reduced commercial fish stocks by more than 90%, and many fish species are in dangerous decline, such as bluefin tuna, wild salmon, haddock, halibut, and cod. 



Couple this with the great quantities of waste dumped in the ocean each year and the impact of oil spills, and it is unsurprising that we have such a serious problem on our hands.



However, there are solutions to our predicament. 



One such solution is the establishment of the oceanic equivalent of national parks: marine protected areas (MPAs). These are areas set aside where marine life is protected from human exploitation so that it can recover and help to replenish nearby areas, providing economic and social benefits to coastal communities. 



However, although the oceans cover nearly 71% of our planet's surface, less than 1% of the ocean is currently protected in this way, compared with 11% of land.



To increase the percentage of our oceans under MPA protection, the National Geographic Society and the World Economic Forum (WEF) have set up a joint initiative co-ordinated by explorer-in-residence Enric Sala and senior vice-president Kristin Rechberger, in which I take part as a one of the WEF's Young Global Leaders.



By working with key stakeholders to promote the establishment of new MPAs we hope to improve ocean health and productivity, and help reduce poverty and improve human wellbeing. This target could be achieved if we develop novel conservation investment models, improve governance, and increase global awareness about the benefits of MPAs.




As we work towards protecting our oceans and restoring their fruitfulness, I believe that businesses that use the produce of the sea, or marine-based products, should bear the greatest responsibility for these efforts. Restoration of the oceans is as an investment in the communal bank account that is our natural resources.



Thankfully some businesses are already raising awareness; in May, Selfridges launched Project Ocean, partnering with more than 20 environmental and conservation groups to celebrate the beauty of the ocean, highlight the issue of overfishing and help us all understand the threats to the ocean to encourage us to make positive choices about the right fish to buy and eat.



This is an issue that needs much greater attention from everyone, not just businesses and governments.



 Dr Alex Rogers, scientific director of the International Programme on the State of the Ocean, says: "As we considered the cumulative effect of what humankind does to the ocean, the implications became far worse than we had individually realised. 



This is a very serious situation demanding unequivocal action at every level. We are looking at consequences for humankind that will impact in our lifetime, and worse, our children's and generations beyond that."



We all need to look beyond the waterline and take care of our aquatic backyard for our own wellbeing. If you feel powerless and you want to do something right now to help, take a look at Fabien Cousteau's project Plant a Fish



This innovative project allows people to donate oysters, turtles, mangroves and coral to the ocean. In this way we can all play our own part in the restoration of the ocean and, in doing so, allow future generations to have similar experiences of the sea to those which are etched so firmly on our memories.



Diana is a social entrepreneur and is in the process of launching her new business, PositiveLuxury.com. Previously she founded Clownfish sustainability and communications agency. She tweets @dianaverdenieto